You're such a versatile producer, but your sound isn't all over the place. Can you talk a little bit about your creative process?
It starts with the sample, usually... And then I might add some scratches, and I go straight to the drums, and send it to the artist. I mean, I love the drums that are cooked up in the studio with the artist. But you know, in 2023, it always don't line up like that, so there are some emails.
Do you remember any of the songs that were created actually in studio?
The drums with Millyz were done in my studio. The joint with Nems, the joint with MARCO PLUS and Koda, the joint with G-Eazy. The joint with G-Eazy, he was fun because we were out late night, drinking playing pool. We went back to the studio at like four in the morning, and took some micro-dosed mushrooms. He was like, turn the beat down 20 bpms. Usually, I would be like, beat it, you're out of your mind. But since we were vibing, I was like, you know what? I'm gonna try it. And I tried it, and he did the whole double time flow, and it just worked. So even like the Statik Selektah tag is like chopped and screwed, and it just came out dope. So that's one of those instances where getting creative is fun at six in the morning.
What do you want people to take away from this project?
The style of Hip-Hop is still sounding fresh and fun. I feel like I got my own lane with it. I'm obviously paying homage to the cats I grew up off, like Q-Tip and Primo [DJ Premier], and Pete Rock. Every album I make, I'm celebrating the art form annd treating it like a modern day mixtape, but doing it bigger.