The emerging Los Angeles-based emcee has made huge strides in the alternative Hip-hop scene after the release of his 2012 debut studio album, The Popular Stranger, which earned him the respect and attention of Hip-hop titans like No I.D., Virgil Abloh, and Benji B. Since, Ta’East has released a series of diverting BoomTrap singles, featuring his haughty vocal delivery, high-level lyricism, and storytelling, proving himself to be a force to be reckoned with in the evolving Hip-hop underground.
After a four-year hiatus following his last project, Ta’East returns with the new EP, Beyond the Halo Effect, executive produced by close friend and collaborator Cairo Mayeson, who creates a cinematic and atmosphere audio landscape for the California emcee’s spirited lyrical performances.
Originally from Oceanside, California, Ta’East recalls growing up around the “gangstas, skaters, and punk kids,” pulling influences from many mediums of culture, genres, and sub-genres of Hip-Hop music.
“Where I’m from, with music, it’s kind of a melting pot. The first tape I ever bought was The Score by The Fugees,” East explains. “That, and then Timbaland and Magoo and all that Virginia shit, The Clipse. 8-Ball & MJG, whatever my uncle and big brother were listening to.”
“Hov was a big influence. I loved what Biggie did. He gave us the blueprint, make sure you do them joints for the girls. Do the street bangers and all that but make sure you keep it smooth. Keep it player.”