Despite falling in love with the beat, Kendrick Lamar struggled to find a home for the song on To Pimp a Butterfly, whose heavy jazz and funk influences didn’t mesh with Pharrell’s upbeat production. Sounwave refused to let the record go to waste, though, and with the help of Los Angles producer and saxophonist Terrace Martin, they perfected the song to Kendrick’s liking.
“We loved that record so much that I said, ‘Ok, I’m not letting this record die,'” he said. “I literally have to go back in, last second of the album, like literally at the crunch time, I think we had one more day, and added drums to it.
“And I just remember about three hours, just me and Terrace [Martin] locked in that room. We came out, I said, ‘I think we got something.’ We played it for Kendrick. And I just remember him, his eyes lit up. It was like, we did it. This is finally it.”
He added, “We had no idea it was going to be what it was going to be, but we just knew that felt perfect with the rest of the album after that.”