On Thursday (March 9), indie Hip-Hop juggernaut Ceschi Ramos, NOFX’s Fat Mike and the Get Dead’s Sam King dropped a new video for “Fast Ones” featuring The D.O.C., which arrives nearly a year after the single’s June 2022 release. Boasting cameos from some of the underground’s most prolific characters, including 2Mex, Freestyle Fellowship’s Myka 9, Awol One and producer Factor Chandelier, the video puts Ceschi and King on the witness stand during a makeshift trial about a dirty cop who goes on a killing spree and tries to frame The Codefendants. The D.O.C. is tasked with playing the role of an irate attorney while Fat Mike acts as the presiding judge.
Throughout the roughly four-minute visual, they touch on polarizing socio-political topics such as the fentanyl epidemic and police brutality. But beyond the thought-provoking imagery, lyrical excellence and menacing beat, the track contains the first verse from The D.O.C. in nearly 20 years. In 1989, The D.O.C. had just released his debut album No One Can Do It Better and was undoubtedly on his way to rap superstardom when he suffered a near-fatal car accident. In a cruel twist of fate, he survived but was left unable to speak. Contrary to popular belief, the accident isn’t what crushed his larynx, it was the medical care he received during the treatment process that stole his voice.
“The night of the accident, it was like a 24-hour period where I had tried both cocaine and ecstasy,” he admitted in an interview last April. “And then it just quit working when I was driving home.” When asked if he wished the officers would have arrested him, he replied, “I did that for about 30 years. But here recently, I understand that those officers were just a part of that time. Had they taken me to jail, I wouldn’t be here where I am right now today. Now, I have insight into an understanding that allows me to help a lot of other people who are in that same space.”
Thirty-four years later, The D.O.C. has accepted the hand he was dealt and, by all intents and purposes, made the best out of it. He penned numerous hits for N.W.A, Dr. Dre and Snoop Dogg (to name a few) and recently made a documentary about his life called The DOC, which premiered at the Tribeca Film Festival last year. Basically, he didn’t sit around feeling sorry for himself—at least, not for too long. There was a period of substance abuse and some unresolved anger he had to quell, but he made it. His zest and gratitude for life have become two of his most outstanding qualities.