Death Row Records was an infamous boys club in the 1990s, but women more than made their mark. Of course, The Lady Of Rage was one of the label's top emcees, and Michel'le was the chart-topping R&B vocalist who'd come over from Ruthless Records with Dr. Dre; but it was Jewell whose sultry vocals wound up all over major Death Row albums The Chronic and Doggy Style. The Chicago native became the label's go-to singer, and had the full protection of impresario Suge Knight.
"Back then, he used to say I was his sister," Jewell shared in 2011. "It was a blessing for me to be introduced to people that way. He also kept me sheltered. Back then, I thought that was a good thing because I was not burnt out like some of the other acts on the road. But when Death Row broke up, that’s when that really began to affect me as an artist. Because the powerful players wouldn’t give me a deal—because I was ‘Suge’s Sister.’ So they wouldn’t fuck with me."
The soulful singer became a Death Row fixture. Jewell dropped her own hit single, a cover of Shirley Murdock's "Woman to Woman," in 1994. As things famously turned sour at Death Row, Jewell was left in the lurch. The murder of Tupac Shakur, Knight's imprisonment and Dr. Dre's defection all combined to throw Death Row Records into limbo, and Jewell wound up in dispute against her former label.
"Of course, Death Row never paid me the money that I was supposed to get in order to keep up my livelihood and take care of my kids," she would note later. "So it was a bitter situation for me and I was very angry and hurt."